In the second part of the Museums in India Series, Poulomi Das explores how museums thrived in pre-Independent India. Image: The Indian Museum in Kolkata, 1907. Photo courtesy: Popular Science Monthly, Volume 71, Wikimedia.
The Indian Museum in Calcutta (read about the earliest collections), which was established in 1814, heralded a museum movement in India, with the British building new museums in Madras (Chennai), Bombay, Jaipur, Lucknow, and Patna. Most of these museums were located amidst large and beautiful botanical and zoological gardens. But have you ever wondered why so many museums were built and that too on such sprawling campuses?
In 1851, the Great Exhibition was held at the specially created Crystal Palace building in London. It was to celebrate the advances in the industry, and arts & crafts of the day. Britain took a leading role in it, after all, it was co-organized by Prince Albert, husband of Queen Victoria. Around 60 lakh people visited this exhibition in 6 months, where a carved ivory throne, a coat embroidered with precious stones, and an elephant’s howdah represented India. Most of the objects from this exhibition became the formative collection of the Museum of Ornamental Art, in Marlborough House, later the Victoria & Albert Museum, South Kensington.
The exhibition resulted in generating awareness around these objects, initiating education in the arts & crafts sector, and instituting a symbiotic connection between the arts & crafts and industry. Indian craftsmen were encouraged to fashion indigenously-inspired decorative items that would also cater to the Western market. The new museums of India helped propagate the imperial objective of educating the Indians about their botanical, zoological, cultural resources, and heritage, in keeping with the aim of the exhibition. Inviting families into these green spaces made museum visits a cherished experience.
Image: The entrance Rani Bagh, earlier called Victoria Gardens, where the Dr. Bhau Daji Lad Museum is currently located. Photo courtesy Deepa Krishnan.
According to Dr Kavita Singh, the art historian who has undertaken extensive research in the museum movement in India, “The Indian Museum, Calcutta, and the Victoria and Albert Museum, Bombay, claimed over 800,000 visitors in 1913. Madras claimed over 400,000, and Baroda, 300,000 visitors each year.” Through intensely researched and well-curated displays, guided tours and careful positioning in the eye of the public, these museums attracted tourists and researchers from all over the world, not just India.
The second museum in India, Government Museum, was established in Madras (1851) and the third was set up in Bombay, the Victoria & Albert Museum (1872). The latter was renamed the Dr Bhau Daji Lad Mumbai City Museum in 1975 after one of its founding fathers, Dr Bhau Daji Lad. He was the first sheriff of the city and a highly respected doctor, historian and philanthropist.
Image: Sir Dorabji Tata donated his collection of paintings, statuary and other art objects to the Prince of Wales Museum, Mumbai, (now Chhatrapati Shivaji Maharaj Vastu Sanghrahalya). His generous offerings are now on display as the Sir Dorabji Tata Collection. Picture courtesy Sir Dorabji Tata Trust.
The Prince of Wales Museum in Mumbai, now called the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), was established in 1905 as a memorial to the visit of the Prince of Wales to India. In 1911, the statue of the Prince was crafted by George T Wade and donated by David Sassoon, a prominent Bombay businessman. Some of the first collections at the museum were Indian miniatures and other antiquities from the Seth Purushottam Mavji Collection, originally belonging to Nana Phadnis, an important Maratha minister of the Peshwas. The Museum collection comprises artefacts that have been purchased as well as gifts by generous donors like Sir Ratan Tata and Sir Dorabji Tata. In addition, a multitude of other collections such as those of Sir Akbar Hydari, and Karl and Meherbai Khandalavala as well as antiquities acquired from the Archaeological Survey of India has contributed towards the grand collection of the Museum.
The Albert Hall, now the Central Museum in Jaipur, was set up in 1876, and the Patna Museum, in 1917. Among its collection of beautiful sculptures and other antiquities, the Patna Museum boasts of a 53-foot fossil of a pine tree found near Asansol in 1927, and the Albert Hall has a well preserved Egyptian mummy bought by Maharaja Sawai Ishwar Singh in Cairo in 1887. These prove to be very attractive to young visitors to the museums even today. The Princely States of India started engaging in museum building activities much before the country gained Independence as part of the state’s educational and cultural dissemination. These museums and the others that were established soon after were the outcome of earnest efforts of well-meaning Britons, along with some Indians, interested in organizing, showcasing and preserving knowledge like Sir Swinton Jacob, Dr George Birdwood, Major Mant, R.F. Chisholm, and Maurice Gwyer.
Did you know:
At the behest of the Archaeological Survey of India, various explorative investigations that was initiated since the times of its first Director General, Alexander Cunningham, resulted in the collection of vast quantities of antiquarian remains. The creation of site museums had to wait until the arrival of Sir John Marshall, who initiated the founding of the local museums like Sarnath (1904), Agra (1906), Ajmer (1908), Delhi Fort (1909), Bijapur (1912), Nalanda (1917) and Sanchi (1919). Rereeti will explore this topic in detail in future posts.
Image: The City Palace Museum, Jaipur. Photo courtesy Wikipedia.
The Maharaja Sawai Man Singh II Museum, popular as the City Palace Museum, was established around 1880 in Jaipur. It owes its origin to the combined efforts of the Maharaja of Jaipur, Sir Swinton Jacob, the Chief Engineer, and Colonel Thomas Holbein Hendley, Chief Surgeon of Jaipur. Within 100 years, it increased its scope and place in the global museum world through detailed documentation and research on its extensive collections, which included some of the best handmade carpets, miniature paintings, silver jugs, and textiles of the world. It kept evolving with time and reinventing itself. The Sports and Games exhibition, which focused on all the sports exhibits featured in the Museum’s collections, was conceptualized to complement the 1982 Asian Games held in India. It was not just coincidence that the luxury train ‘Palace on Wheels,’ which runs from Delhi to Agra via Jaipur, Jodhpur, Jaisalmer, and Udaipur – all major tourist destinations – was launched by the Indian Railways in 1982.
Image: The Calico Museum of Textiles in Ahmedabad. Photo courtesy: Wikipedia.
The Calico Museum of Textiles and The Sarabhai Foundation Collections at Ahmedabad was the culmination of discussions between the eminent art historian Dr. Anand Coomaraswamy, and the scion of the Calico textile magnet, Gautam Sarabhai. It was set up in 1940 to safeguard Indian textiles and antiquities, and undertake intensive research on them. Over the last 75 years, it has remained one of the best conceptualized, executed museum in India, with several publications on its rich collections. The Baroda Museum was founded by Maharaja Sayajirao Gaekwad around the same time as the Jaipur Museum in 1894. It has a range of artefacts from Egypt, Sri Lanka, Burma, from Mughal India, and the Gujarat and Maratha historical reigns.
Image: Baroda City Museum. Photo courtesy eBaroda.
Through intensely researched and well curated displays, guided tours and careful positioning in public vision, these museums attracted both tourists and researchers from all over the world, not just India.
In the final post of this series, I will talk about museums in Independent India. We will look at the establishment of the country’s first national museum, in New Delhi.
Dear readers, share with us photos of your earliest museum visits! Email Rereeti and mention ‘Museum Memories’ in the subject line.
About the Author
Poulomi Das is a multi-disciplinary professional with experience in interpretation, curation, collection management, and research. She has worked on several museums and heritage space projects in India.